Does TV increase violence among children and teenagers

Does TV increase violence among children and teenagers Children between the ages of zero and six year are continuously learning and developing socially and emotionally. For an appropriate development, a child needs love and care from both parents. In the case of families experiencing domestic violence, the social and emotional development of children brought put in such families is affected negatively. Psychological wellness of the child is affected at early age and later in life.Advertising We will write a custom annotated bibliography sample on Does TV increase violence among children and teenagers? specifically for you for only $16.05 $11/page Learn More Children are socialized by what they hears, what it sees other people do, the environment around the child the environments and so forth. The child is constantly learning the behaviour that will further be reflected in the teenage. When a child is exposed to violence behaviour, he/she is more likely to take them positive and later in life at adolescence or a grown up finds itself violent because of what he saw. Technological improvement has brought different method of information dispensing as well socialization mediums, they are both electronic and print media that a child or teenager has access to. One of the most notable information dispensers is television sets and radio; the technological devises airs both national and international news , TVs can be used to play visual and audio videos. With the increase in media freedom, the media has brought a number of issues that have influenced on the life of a people, they have sometimes aired programs, and music and news that can reign force the vice of violence in children and teenagers. The people of the area uphold culture; it is transmitted to new entrants into the society; the culture covers in areas of language used by the people, the way they do thing, religion that they practice, structure, identity, norms, belief and values thy hold. there are some cultures that reinforce violence in their countries, for example among the Muslims, there is holy war culture, in case such information is aired through television, someone who does not understand the underlying principle is likely to think that violence pays. Children and teenagers are spending more times with television sets than they are spending with other people because of the busy schedule of the people. How someone behaves is influence by the exposure that he has. TVs are offering an exposure that is changing increasing chances of violence among children and teenagers. Although televisions and the media in general has opened and created a global culture among children and teenagers, the effect that it is having on their character building is sometimes negative. Children and teenagers are opened up to the world, which is a positive move however some of the issues they are getting opened to is having negative impact on their behaviour.Advertising Looking for annotated bibliography on social sciences? L et's see if we can help you! Get your first paper with 15% OFF Learn More Studies have shown that to a certain extent, the media has contributed to the negative attitude and behaviour seen among communities in today is globalizing world. When media are not controlled, the negative effect is likely to prevail for long period and have a negative effect on societies and the world in general. This annotated bibliography paper discusses how televisions increases violence among children and teenagers. Albiniak, Paige. Violent media, violent kids? Broadcasting Cable. 31 Jul. 2000: 14. eLibrary. Web.. According to the article when media brings about a certain program that seems to advocate for violence among children, then chances are on the higher side that the children will be violent. When the media bring out a certain movie, that has a violent hero at the end of the day, the growing nature of children and teenagers are easily persuaded in many situations, they would id entify themselves with the a violent character. In the efforts of trying to be like the character, they end up being violent themselves such programs include action movies. Anonymous. Is exposure to media violence a public-health risk?. Lancet 9619(2008):1137. eLibrary. Web.. In the article, the writer is of the opinion that some programs aired in televisions have a negative effect on the health of human beings, some advocate for war and some even air camera tricks killings, children are much likely to think that is the nature of life and when they practice it they end up hurting others. The writer condemns video game like Manhunt 2 and Grand Theft Auto IV, and feels they are likely to impact negatively on children watching them. Movies are made in such a way they have a message they are developing home. Some movies are meant to depict how portraying certain super national heroic aspects will be of benefit.Advertising We will write a custom annotated bibliography sample on D oes TV increase violence among children and teenagers? specifically for you for only $16.05 $11/page Learn More By Amanda Paulson Staff writer of The Christian Science Monitor. TV violence tough to curb despite FCCs new plea. Christian Science Monitor. 30 Apr. 2007: 2. eLibrary. Web.. The science monitor is pushing for a media violence act where the kind of movies , and programs that are aired over the media should be vetted and weighed for their effects. Action movies are in most cases developed in a way that the â€Å"master† or the â€Å"ninja† will outdo the local authorities like the police and can thus go ahead and commit a crime and move unhurt. There is other that the hero intelligence and wisdom are portrayed when he can forecast the future with a good level of precision. What the movie leaves in the mind of the viewers is that one can easily succeed in life by following unlawful means. The fact that the hero always is successful is planting a seed of deviant behaviour in the population. Congressional Testimony. STEREOTYPES AND DEGRADING IMAGES:STRAUSS ZELNICK. Federal Document Clearing House, 25 Sep. 2007. eLibrary. Web.. A documentary by Congressional Testimony looks down the effects that the media is bring to the society, they are of the opinion that media is building deviant behaviour among the youth. A latest series called prison break was portraying an impression that running away from the prison was an easy task and all that was required is an organization among the intimates. Such a movie is in away encouraging crime since the criminal think that even after he has been convicted of a crime, he is smarter than the police are and can always run away from the prison. This movie advocates for crime. Another movie that has a negative influence is â€Å"The predictor† by Arnold swarznegger in these movies the hero does not respect the authority but decides to go ahead and look for a predator. These entire movie s are affecting negatively to children and teenagers.Advertising Looking for annotated bibliography on social sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More Earles, K A; Alexander, Randell; Johnson, Melba; Liverpool, Joan; McGhee, Melissa. Media influences on children and adolescents: Violence and sex. Journal of the National Medical Association 9(2002):797. eLibrary. Web.. Media has had an impact on the morality levels in our communities, some programs like music and movies are seen to advocate for sex and violence. The way some songs are shot, they are in most places in posy bars and restaurants. The main character is portrayed to have an access to all the women and can buy beer in a great way. If this is, the hero that children are going to imitate the resultant society will be a society of immorality; since the achievement is seen as if it is measured by how immoral, one is. The value and salinity of sex is eroded when they show that it can be done anytime anywhere. Fraracci, Lauren. Television: Teacher of violence. Social Studies Review. 01 Apr. 2002: 77. eLibrary. Web.. Fraracci observes modern society and how parents have become busy and leaving the role of socialization to the media, the article is of the opinion that currently children are using more time on the television than their mentors and parents. When this happen they are likely to take over the values portrayed over the media, which may reinforces violence and immorality in children and teenager. The writer blames current vice of early sex to media. Hurst, Marianne D. Researchers Target Impact of Television Violence. Education Week. 17 Nov. 2004: 8. eLibrary. 10th Apr. 2011. The writer take a look on how media and their material has impacted on children; he says that you will hear the children trying to talk like the personalities in these music videos and the movies they see; this shows they have established a certain character in a movie personality they would like to follow. In most case the personality is not right thus misleading a child. Other than the crime part, there is immorality that some of the programs aired. The dancers are portraye d as having a good life despite the fact that they are dancing when almost naked. Their dancing mode is that they encourage immorality in the society. Immorality is the foundation of crime. Jipguep, Marie-Claude; Sanders-Phillips, Kathy. The Context of Violence for Children of Color: Violence in the Community and in the Media. Journal of Negro Education 4(2003):379. eLibrary. Web.. The writer connects the violence and heartlessness prevailing among people in communities to have some roots in the medias that children’s are exposed. For example, some movies and music, especially those that are made in Jamaica (Reggae), advocate for the use of drugs. Some of them are for the opinion that taking bhang is not a crime. If someone, more so a child interprets the message in the wrong way, he can easily get in the vice. Young innocent children after watching the movies have been seen to try smoking something. The songs are also shot in a club setting and the most respected person is t he one who can buy beers more to others this enforces a bad behaviour. Lavers, Daphne. Media violence: Ugly and getting uglier. World I. 01 Mar. 2002: 68. eLibrary. Web.. The writer of the article is of the opinion that the influence of media is getting worse and more children are likely to be misguided by the media programs they see. The media has a very strong driving force to the perception and the attitude that the public is going to have. This is through the movies that they air as well as the news that they put a lot of weight. If the media portrays something as morally good, or gives the impression that by following a certain way one will be successful, then the public is more likely to believe this as the truth. The way that it advocates for the occurrence of crime may be in a direct way or indirect way. It opens a child to the outside environment through the programs. MICHAEL PAUL WILLIAMS. DANGEROUS MESSAGES? MEDIA VIOLENCE ABOUNDS; SO DOES DEBATE ON ITS EFFECTS. Richmond Times-Dispatch. 13 Oct. 1994: A-1. eLibrary. Web.. The writer is of the view that children and teenagers are the most affected by what the media broadcasts, since their mind is fresh and they may lack the needed guidelines from the parents especially in this era that all the parents are working. They tend to believe the information that is given by the media as the gospel truth. In the streets, you will find the children playing in a wrestling ways. They even call themselves names of wrestling personalities as they play. They tend to do what they were watching and may hurt themselves. If this is not rectified, chances that they will become violent people in future are high.

Honoring Architect I.M. Pei and the Glass Pyramid

Honoring Architect I.M. Pei and the Glass Pyramid Architect Ieoh Ming Pei (born April 26, 1917 in Canton, China) is known for using large, abstract forms and sharp, geometric designs. His glass-clad structures seem to spring from the high-tech modernist movement. In the U.S. Pei is popularly known for designing the Rock and Roll Hall of Fame in Ohio. Winner of the 1983 Pritzker Architecture Prize, Pei is more concerned with function than theory - his writings are few. His works often incorporate traditional Chinese symbols and building traditions. In Chinese, Ieoh Ming means to inscribe brightly. The name Peis parents gave him proved prophetic. Over a decades long career, Ieoh Ming Pei has designed more than fifty buildings around the world, ranging from industrial skyscrapers and important museums to low income housing. Fast Facts: I.M. Pei Occupation: ArchitectAlso Known As: Ieoh Ming PeiBorn: April 26, 1917 in Canton, now Guangzhou, ChinaParents: Lien Kwun and Tsuyee Pei, banker and financier at the Bank of ChinaEducation: B.Arch. Massachusetts Institute of Technology (1940), M.Arch.  Harvard Graduate School of Design (1946)Key Accomplishments: 1983 Pritzker Architecture Prize, Designer of Modern Architecture such as the Louvre Pyramid (1989) in Paris and the Rock and Roll Hall of Fame and Museum (1995) in OhioSpouse: Eileen LooChildren: Three sons, T’ing Chung (T’ing), Chien Chung (Didi), and Li Chung (Sandi), and one daughter, LianeFun Fact: Pei overstayed his student visa after graduating from MIT but became an American citizen in 1954 Early Years Marriage Pei grew up in privilege - his father was a prominent banker - and graduated from prestigious Anglican schools in Shanghai. With a student visa in hand, the young Pei arrived at Angel Island Immigration Station in San Francisco, California on August 28, 1935. His plan was to study at the University of Pennsylvania, but he found a better fit at the schools near Boston, Massachusetts. In 1940 he earned a B.Arch. in architecture and engineering from the Massachusetts Institute of Technology (MIT). In the middle of his studies at MIT, the Marco Polo Bridge Incident occurred in China. Unrest in the Pacific and with China at war with Japan, the young graduate was unable to return to his homeland. From 1940 to 1942 Pei took advantage of a MIT Traveling Fellowship. At a nearby womens college Pei met his future wife, the Chinese-born Eileen Loo (1920–2014), who graduated from Wellesley College in 1942. They married and both attended Harvard Graduate School of Design, he earning a M.Arch. degree in 1946 and she studying landscape architecture. At Harvard, I.M.Pei studied under Bauhaus modernist architect Walter Gropius. During the World War II years, Pei worked at the National Defense Research Committee in Princeton, New Jersey from 1942 to 1944. Back at Cambridge, Massachusetts, from 1945 to 1948 Pei was an Assistant Professor at Harvard Graduate School of Design. The couple traveled again in 1951 on Harvards Wheelwright Traveling Fellowship. Between 1944 and 1960, the couple had three sons and one daughter. In 1954 Pei became a naturalized citizen of the United States. Professional Years In 1948 Pei was recruited by New York City developer William Zeckendorf to work for his company, becoming Director of Architecture at Webb Knapp, Inc. for over a decade. Peis urban renewal buildings during this time established his personal business beginning in 1955, from I. M. Pei Associates to I. M. Pei Partners and the better known Pei Cobb Freed Partners. Eason Leonard and Henry N. Cobb had worked with Pei since 1955, but became founding partners of Pei Cobb Freed Partners. James Ingo Freed was partner until his death in 2005. Since 1992, Pei Partnership Architects has been a business with his sons, Chien Chung Pei and Li Chung Pei. In 1976 I.M. Pei Partners had a business nightmare when a new skyscraper in Boston, Massachusetts started losing its reflective glass facade panels. Pei hadnt designed the mirrored John Hancock Tower near Trinity Church, but his name was on the architecture firm. Henry Cobb was the design architect of the Hancock Tower, but the Pei organization took the hit in publicity. Pei spent a good part of the rest of his career designing glass structures to show the world he knew how to build with framed glass. In 1983 Pei was awarded the Pritzker Architecture Prize. With the prize money, Pei established a scholarship for Chinese students to study architecture in the United States provided they return to China to practice architecture. Important Buildings Considered one of the first skyscrapers in Denver, Colorado, the 23-story Mile High Center was one of Peis early glass clad high-rises. Built in 1956, the Center is now the Tower as it was completely renovated by someone else who knows a thing or two about glass - Philip Johnsons architectural firm of Johnson/Burgee Architects. Peis 1970 Terminal 6 at JFK International Airport in New York City was not so lucky to be renovated - it was demolished in 2011. Visit the National Center for Atmospheric Research (NCAR) in Boulder, Colorado to experience Peis modernity without an emphasis on glass. This 1967 design is more similar to the 1968 Everson Museum of Art in Syracuse, New York and the 1973 Herbert F. Johnson Museum of Art at Cornell University in Ithaca, N.Y. - designed as asymmetrical sculptures. More mature museum projects include the 2006 Musà ©e dArt Moderne in Kirchberg, Luxembourg and the 2008 Museum of Islamic Art in Doha, Qatar. The glass pyramids used as skylights complemented Peis sculpture-like design of the National Gallery of Art, East Building in Washington, D.C. Its 1978 opening brought Pei national and international renown. National Gallery East Wing, Washington, D.C. Charles Rotkin/VCG via Getty Images (cropped) Major American cities often called on Peis expertise to bring exciting but restrained modernism to their urban areas. In Boston, Massachusetts Pei was asked to design the 1979 John Fitzgerald Kennedy Library and its extension in 1991, and the 1981 Museum of Fine Arts West Wing and Renovation. In Dallas, Texas Pei took on Dallas City Hall (1977) and the Morton H. Meyerson Symphony Center (1989). Pei has designed a number of buildings in Asia, including the 1976 Oversea-Chinese Banking Corporation Centre and the 1986 Raffles City complex in Singapore; the 1997 Miho Museum in Shiga, Japan; the 2006 Suzhou Museum in Suzhou, China; the 1982 Fragrant Hill Hotel in Beijing, China; and perhaps most importantly, the 1989 Bank of China Tower, his fathers bank in Hong Kong. I.M. Peis international reputation was cemented, however, with the controversial and highly successful new entryway into the very old Louvre Museum in Paris. The 1989 Louvre Pyramid created a skylit underground entrance that managed the crowds of visitors away from and into the aged museum. Louvres Pyramid Entrance, 1989, Architect I.M. Pei. Bernard Bisson/Sygma via Getty Images (cropped) The same year I.M. Pei was finishing the 1993 Four Seasons Hotel in New York City, he was also finishing another phase of the Louvre project - La Pyramide Inversà ©e or The Inverted Pyramid, an upside-down glass pyramid skylight built into an underground shopping mall near the Louvre. he Inverted Pyramid of the Carrousel du Louvre, Paris. Pascal Le Segretain/Getty Images (cropped) Quote I believe that architecture is a pragmatic art. To become art it must be built on a foundation of necessity. - I.M. Pei, Acceptance of the 1983 Pritzker Architecture Award. Legacy Repurposing Designs It turns out that the venerable Chinese-born Pei was not only a Pritzker-winning architect, but also an astute businessman. Its been said that Peis controversial Pyramid at the Louvre in Paris, France evolved from an early design for the John F. Kennedy Presidential Library in Boston, Massachusetts, eventually completed in 1979 with an extension in 1991. Mrs. Jacqueline Kennedy chose Pei to honor her late husband, and Pei accepted the commission in December 1964. Peis initial design for the Library included a truncated glass pyramid symbolizing President Kennedys abruptly cut-off life, declares the Kennedy Presidential Library and Museum, a design that re-emerged 25 years later in I.M. Peis design for the expansion of the Louvre Museum in Paris. And in 1995 he did it again in Cleveland, Ohio with the Rock and Roll Hall of Fame - a glass pyramid. The Rock and Roll Hall of Fame, Cleveland, Ohio. George Rose/Getty Images The inventive Mr. Pei is an elder statesman of modernism and a living connection to the age of le Corbusier, Gropius, and Mies van der Rohe. We should have figured that he was also a master at repurposing. The ingenuity of architect Ieoh Ming Pei is typical of successful architects - if at first one design is rejected, use it somewhere else. Sources I.M. Pei, Architect. John F. Kennedy Presidential Library and Museum.https://www.jfklibrary.org/about-us/about-the-jfk-library/history/im-pei-architectNahm, Rosemarie. I.M. Pei’s Angel Island Beginnings. Immigrant Voices. Angel Island Immigration Station Foundation. https://www.immigrant-voices.aiisf.org/stories-by-author/i-m-peis-angel-island-beginnings-2/